Grammy Hangover

I actually enjoyed this year's Grammy Awards--the performances, appearances and even more, that the awards went to the right groups instead of fueling the label machine. Daft Punk walked away with a bunch of gramophones, including Album of the Year (Random Access Memories) and Record of the Year ("Get Lucky"). Word is that their Spotify plays went up more than 200% after the awards show. A lot of people are learning more about these two French musicians who run around in robot helmets and don't speak, even though they've been ruling the EDM scene for two decades.

I'll be honest though, I hated their new album when it came out. I thought it was too disco (a long night of underground disco with James Murphy ruined me) and not enough robot. But after time and listens, these songs grew on me. When I hear them out in the wild, they sound like classics that I've known for years. I hear the precision and timelessness, even though the genre is so time stamped. Not only do they show us the good parts of disco, they teach us about it, too, by bringing in producer Nile Rodgers, but then having pioneer Giorgio Moroder literally give us a history lesson on "Giorgio By Moroder." Sometimes you just have to throw judgement out the window and trust the pros like Guy-Manuel de Homem-Christo and Thomas Bangalter.